Fred Bungay

I am interested in the transition stage between temporary and permanent and how the gallery wall has become a physical embodiment of the formalized and concrete structure’s that govern our engagement with art.

This work mimics and transplants certain architectural characteristics through a new temporary relief process. In so doing, I intend for this work to act as a kind of impermanent reflection of the gallery environment.

I also want to reference the methodology involved in maintaining and forming viewing spaces and how they, in themselves, can become the subject of artistic inquiry and experimentation.